Press
“San Francisco Opera embraces transgender, nonbinary singers”
San Francisco Examiner article by Natalia Gurevich, 2024
Reviews
Alcina, Festival Opera, 2026
“Mezzo-soprano Nina Jones (Oberto) sang with sweetness and warmth...”
“Nina Jones was charming in the role of the teenage boy Oberto...”
The Marriage of Figaro, Pocket Opera, 2025
“Nina Jones is a Cherubino who pops into scenes with electric energy and devilish spunk... singing with a voice that combines pleasing lightness with just enough tremble... their Cherubino holds their own musically while also being hysterical.”
“Nina Jones [left] everyone in stitches as the hormonally addled pageboy Cherubino.”
La Flora, Ars Minerva, November 2024
“Mezzo-soprano Nina Jones was perfectly clean and clear as Geminio, their sound is resonant and sweet.”
“Mezzo-soprano Nina Jones brought a captivating snark to the amoral and apparently victorious Geminio.”
Olimpia Vendicata, Ars Minerva, October 2023
“Mezzo-soprano Nina Jones has a very clean, crisp sound as Bireno.”
“ In [their] debut performance with Ars Minerva, mezzo-soprano Nina Jones was appropriately duplicitous as the womanizing Bireno.”